The Embodying Connections of Interactive Art

Abstract

The fundamental need for connection, is not specific to civilisation, as it stretches to the intermodal relationship of the world. This is evident in the interactions of the mundane every day, and the unity of humankind through difficult periods, such as war. The emotional provocation, expression and freedom of speech channelled into art, serves as a critical talking point, and a catalyst to change. Art in many forms is a medium to connect with individuality, community, history and society. This serves not just the artist, but the viewer too, as they are allowed access to the artists perceptions and beliefs. Despite all art obtaining the power to connect on a metalevel, this dissertation’s specific focus on ‘interactive art’, identifies it as a prevalent movement for connection. This led the discussion of the dissertation; interactive art’s evolution, and how it creates this social cohesion and connection within society.